On Special Music Collections

AmericanLibraries

Issues of the punk-rock fanzine Slash are included as part of UCLA’s punk archive. Photo: UCLA Library Special Collections – from the American Libraries Rock in the Vault Article – May 2, 2016.

I’ve been talking for some time about the need for a special music collection on Metal music in NYC, so I was glad to see this recent article entitled, Rock in the Vault published over at the American Libraries website. It’s about how university libraries are becoming the new place to go for music archives.

The article mentions both Rutger’s growing collection on rock, hardcore and punk music as well as Cornell’s collection on the Hip Hop genre.

As for NY, we’ve a rich tri-state history on Metal. There’s venues that could offer historical information like L’Amour’s of Brooklyn or even the closed down record store Metal Kingdom in Queens. Ephemeral materials abound in the form of zines, cassettes, vinyls, patches and documentaries. As a metal music scholar & librarian, having physical collections as primary resources is just one way we can solidify and start building our place in the larger academic world.

It would be my dream to start this at Columbia…so here’s hoping I find a way here or elsewhere.   \m/

L’Amour and the History of Metal

If you’ve been following my research all this time, you’ll know I’m a big scavenger of all things NY metal. A lot of my research hasn’t only been about the women in NY’s extreme metal scene but to the overall subculture in general.

As of late, I’ve been looking at venues and their histories involving where metal and underground shows were taking place back when extreme metal was growing. After all, the subculture had to be existing somewhere! One such place that was brought up to me was L’Amour.

Back in November 2014, I met a fellow presenter at the Metal and Cultural Impact (MACI) Conference who was from Jersey, presenting on Metal and the USSR. He told me about L’Amour, a venue in Brooklyn’s Bay Ridge area that closed down in 2004. Sadly, it was a place I never got to venture to because I really had no connections to the metal scene in the boroughs during my teens. My relationship with metal only became serious in my mid-20’s, during college and beyond. And to add, in the 1970’s when they were having some of their awesome shows, I wasn’t even born…so yeah.

What’s great is that just like Metal Kingdom, the Queens venue that I mentioned in one of my earlier posts, L’Amour also catered to others in an otherwise small and marginalized scene of underground music. It’s closing most likely led the same crowd to start hanging around at places like Metal Kingdom. It wasn’t until 2010-2011, that Saint Vitus and Acheron, both Brooklyn venues opened their doors.

From MetalSucks.net

From MetalSucks.net

These venues allowed for folks to find a place to connect and participate in something that larger society just did not get. Moreover, what made going to such a venue exciting and provocative was the surrounding air of the beginnings of the extreme metal scene. Early shows debuted what would later become a who’s who of metal royalty, including bands such as Metallica, Megadeth, Slayer, Anthrax, Iron Maiden, King Diamond and Overkill.

I thought it was pretty neat to find wordpress blogger Maya over at VisuaLingual post a write up about her experience and time with L’Amour. She makes a beautiful case of women participating in the scene during the 90’s, when the number of women were even fewer than today.

Kreator at LAmour

Keator @ L’Amour, 1978–Image from Thrasheaters.com

And finally, my librarian self was happy to see a book in the works by resident L’Amour DJ, Alex Kayne called, “LAmour: Rock Capital Of Brooklyn” to be published in 2016. I’m sure it will stand to be a significant work of reference for other metal academics like myself.

L'Amour Book by Alex Kayne, Image from Amazon.com

L’Amour Book by Alex Kayne, Image from Amazon.com