Heavy Music Artwork Magazine

Nice blog post over at Heavy Metal Overload. If you’re a librarian looking to add to your metal music titles – add this new serial to your “must buy” list. It’s a visually appealing magazine that highlights visual artists working under the umbrella of heavy metal music. It’s also way overdue.


Issue 1 - Dark Nouveau Issue 1 – Dark Nouveau

You can usually rely on metal albums to have stunning, provocative artwork and, even in the age of iTunes and Spotify, this doesn’t seem to be changing. And now, thanks to Alex Milazzo, the world of metal has its first and only art magazine dedicated to its artwork and artists. It’s called Heavy Music Artwork and its first two issues are available to buy at the magazine’s Indiegogo page.

I received my issues last week and they are beautiful things. Each issue is themed. The first issue Dark Nouveau covers artists and performers such as Ghost, John Dyer Baizley, Matt Vickerstaff and Zbigniew M. Bielak that have embraced the Art Nouveau style. And the second issue Folklore covers themes of cultural identity and heritage: featuring relevant artists and acts such as Adam Burke, Enslaved, Costin Chioreanu and Primordial. This second issue also introduces more…

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Update: Recording of Barnard Panel Talk on Women in Rock and Metal

I meant to share this back in June, but of course so many things were happening. I was conferencing like a fiend, researching, and finalizing my new job status! On top of that, Vish and I were visiting pre-schools for Ella. Afterwards, summer hit, and all I could think about was fiscal close procedures at work and how to plan for Ella’s birthday.

So with all of that finally behind me, I’ve now have a tiny bit of relief in my schedule and am trying to get back on the horse with blog posting. Some of you might remember that back in May I co-moderated and organized a panel at Barnard College about women in the rock and metal music scene here in NY. It was panel born out of my thesis research. And although I posted about the wonderful shout-out we got from the online magazine, The Tempest, I wanted to share the recording that my husband did of the event.

So without further ado – here’s Part 1 and 2 of Women in Rock and Metal Music.

Panel speakers were: (from left to right) Charlotte Price (co-moderator), Joan Jocson-Singh (me!!), Mindy Abovitz (Tom Tom Magazine), Laina Dawes, (music journalist), Justina Villanueva (photographer), and Cristy Road (artist, musician & zinester)
Disclaimer –  In Part 1 you can hear a bit of my daughter’s babble, but it’s only for about a minute and half.

It gets better. Enjoy!

Part 1


Part 2

Cataloging the Margins: Zine Librarianship


One of the fun things about being in library school, particularly as an archivist, is interacting with different types of materials in the bibliographic universe. One area of librarianship and special collections that has particularly exciting for me has been working with the To the Front Zine Collection at my campus library. Zine librarianship presents an interesting intersection of archival practices and librarianship, while also posing a number of challenges for fitting zines into the practices and standards developed around printed books.

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Jo Bench (Bolt Thrower) – Collected interview snippets

An inspiring woman and a great blog post about her.

Ugly Bass Face

In my previous post about Jo Bench, I spoke about a dearth of information regarding her bass background. Since then, I’ve scoured the internet to find relevant interviews and articles about her that have some of that info. Here’s what I found:

  1. Jo Bench interview by Chazz and Lork K Philipson for Global Domination (from Bolt Thrower website)
  2. Bolt Thrower Interview – Leviatan Metal Magazine
  3. Cvlt Nation Interviews Bolt Thrower
  4. Eternal Terror: Jo Bench (Bolt Thrower) – I’m self-taught (fantastic bass info!)
  5. Tartarean Desire: Bolt Thrower interview

A website from the Netherlands called Kmachine had the following snippet about Jo:

She plays bass on all albums but not on the demos. She was asked to join Bolt Thrower when her then long-time boyfriend Gavin Ward had switched from bass guitar to guitar. She is one of the few women playing in a ultra-heavy death metal band…

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A new job and the start of pre-k

So it’s obvious from my blog title that I’ve been up to a million things this past summer. First among them is starting my new position as the Head of Technical Services at the Leonard Lief Library at Lehman College. I started at the beginning of CUNY’s Fall semester, and it’s been non-stop since. Having come from Columbia University’s Libraries, the differences are both unsurprising and abundant. Unlike Columbia, Leonard Lief’s library is at the same time small and big; small because it’s one library to serve the entire college and big because it’s part of the larger university wide collective – the CUNY Libraries. When I was at Columbia, I was working only in Butler, the main undergraduate library. Outside of Butler library there existed the art library, music library, social work library, etc. (all entities functioning as part of the Columbia University Libraries). While my work at Columbia will always hold a special place for me, I just don’t think I had the right opportunities for growth in the Acquisitions unit there. That’s simply and partly due to the size of such a university. And well…that’s all I have to say about that.

My new role as Head of Tech Services at Lehman is both a wonderful and challenging position. The first two full weeks consisted of my shadowing technical service staff to get an overview of current procedures and practice and then attending meetings with the CUNY collective groups in Cataloging and Electronic Resources. The CUNY committees have been an indispensable think tank of librarians, helping me to learn and adjust to how library technical services has worked in the past.

To add, learning all about CUNYFirst and Lehman Finance operations has been interesting. Lehman functions in duality; first as it’s own college entity and at the same time as part of the CUNY branch libraries. So one can imagine there being a lot to learn with regard to shared resources, acquisitions of said resources, and the ways in which each college’s tech services functions, both locally and centrally. Plenty to learn, but challenging aspects that I’m taking in stride.

Reporting to my chief librarian has also been bright and optimistic. His support of both my position trajectory and personal scholarly interests (Metal Music Studies) has made for an accommodating transition. It also doesn’t hurt to work with library faculty and staff who are both informative and kind. The overall vibe here is that everyone wants to see the library evolve and succeed.

And the most attractive aspect of my new position – seeing a faculty and student body that is full of diversity. With my work, research on gender studies and social justice issues, it comes with an edifying feeling to finally be part of an institution that understands the importance of diversity and inclusivity.

All the new learning aside, I’ve had the serendipitous luck to be starting at a time where we also have a new college president-President Jose Luis Cruz, whose convocation speech already addresses goals to work towards for the 2016-2017 school year. With this optimistic zeal and outlook, it seems that new and exciting opportunities abound in my academic path and I’m looking eagerly towards its development.

On top of all this new change for me, our daughter started pre-k the week after I started the new job. Here she is on her first day, sans socks or shoes! Talk about a week of new beginnings.


It was a week of many firsts. I took the first day of pre-k off just so that I could make sure I was available and be by my cell phone the entire day in case of some crazy emergency.

In reflection, my husband and I both laughed when we realized how we were acting like such “newbie” parents and the obvious nervousness we exuded at drop-off. All the seasoned parents with more than one kid simply said hi to the new pre-k teacher and basically gave their kid a kiss/hug and were like, “peace out.”

Not us…we had to linger, a good 15-20 minutes at that.

We finally left when Ella ignored us in favor of her new classroom toys. Such is pre-k life.

Misogyny in the scene: Enough is enough

My favorite part: “Misogyny is real, and yes, it happens in the office and on the street, but this is me sharing my experiences at shows this summer.”

Sydney Shaw

*UPDATE 08/10/16: I never expected this piece to reach so many people, and I am so grateful for everyone who has taken the time to read it and for all of the feedback I’ve received. But after so many responses have been fueled by “not all men” sentiments and wondering why I didn’t use this as a platform to talk about all of the good that comes out of the scene, I want to preface by saying that I’ve met far more people who are willing to denounce misogyny in the industry than those who perpetuate it. I don’t hate men. Going to shows is my favorite thing in the world. There, I’ve met far more friends than people who behave the way I describe in this article. But the reality is that it does happen every day to women for the sole fact that they are women. Misogyny is real, and yes, it happens in the office…

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On Special Music Collections


Issues of the punk-rock fanzine Slash are included as part of UCLA’s punk archive. Photo: UCLA Library Special Collections – from the American Libraries Rock in the Vault Article – May 2, 2016.

I’ve been talking for some time about the need for a special music collection on Metal music in NYC, so I was glad to see this recent article entitled, Rock in the Vault published over at the American Libraries website. It’s about how university libraries are becoming the new place to go for music archives.

The article mentions both Rutger’s growing collection on rock, hardcore and punk music as well as Cornell’s collection on the Hip Hop genre.

As for NY, we’ve a rich tri-state history on Metal. There’s venues that could offer historical information like L’Amour’s of Brooklyn or even the closed down record store Metal Kingdom in Queens. Ephemeral materials abound in the form of zines, cassettes, vinyls, patches and documentaries. As a metal music scholar & librarian, having physical collections as primary resources is just one way we can solidify and start building our place in the larger academic world.

It would be my dream to start this at Columbia…so here’s hoping I find a way here or elsewhere.   \m/