Individual Thought Patterns: Women in NY’s Extreme Metal Music Scene – 10.19.15

Cover of Natalie Purcell's book

Cover from Natalie Purcell’s book, Death Metal Music: The Passion and Politics of a Subculture

I just realized that although I’ve been working on this research for some time, I’ve rarely posted anything that’s part of the draft thesis. So in case you were wondering…here’s a sample of what I’ve been writing about. I’ve included the abstract, table of contents, and just the working introduction, which reads very auto-ethnographic.
Draft – Individual Thought Patterns
And of course, please feel free to contact me if there’s something just glaringly odd/off. It’s still a draft form so I’m sure my advisor and second reader will have changes in mind.

Thanks  \m/

Advertisements

Summer Work Never Ends when You’re Metal Thirsty

In case you’ve been wondering what I’ve been up to – it’s been a couple of things, but the most exciting thing this summer is the fact that I’ve got about 56 pages of my master thesis on women in EMM written, that’s excluding all the appendices–Woo hoo!

Metal researchIn addition, the folks over at the Society of Ethnomuiscology’s Student Union Blog were gracious enough to allow me to post about my experience with academia, motherhood, librarianship, and metal. Check it out!

Moreover,  I just finished writing a book review for Choice Magazine and I’m now in the midst of writing another review for ARLISNA on John Sharp’s Works of Game:On the Aesthetics of Games and Art. Which, by the way, I totally recommend as summer reading!

worksofgameLastly, I’ve been lucky enough to see Gospel of the Witches twice this year! I’ve made a handful of good friends through the academic metal route and the experience has really imparted some enlightening insights for me.

With that said, here’s a couple of pics from the GoTW show at Blackthorn21, July 10, 2015. It really was a great show and unfortunately I didn’t get a chance to get pictures of the other bands–all female fronted too, like The Missing and Earthbound!

Finally, it was super cool to finally see Alekhine’s Gun, since I’ve heard so much about Jessica Pimentel’s engaging metal  performances, but of course, I didn’t get any pictures, so here’s a link to some photos of the event from Skullnbones.com

Enjoy!

Popular Culture Conference, April 1-4 2015

pca-2015-montageb

My colleague Angela Washington and I presented at this year’s Popular Culture Association (PCA) Conference in New Orleans. This presentation was more aligned to my first love– art librarianship and not to metal music, though I did attend a metal panel at this conference.

Sailor Moon manga - MMA Dark Kingdom-2We presented our paper entitled, “The Metropolitan Museum of Art Gets Graphic: Building a Collection for the Library” under the Libraries, Archives, Museums, and Popular Research panel. We decided to present on how we started the graphic novel collection at the Met’s Nolan Library when I was working there back in 2010. It was right before we hired the current Public Services Librarian who is now conducting the teen and children’s programming. We were first up on our panel and got to meet and see wonderful presentations from the head bibliographer at Tulane and librarians from  both San Diego State University and Florida International University. Overall, our presentation went very well and Angela did a great job at explaining the Watson and Nolan’s collection policy and its unique nuances involved with selecting, purchasing, processing and programming at the libraries.

Below was our panel line-up:

The Metropolitan Museum of Art Gets Graphic: Building a Collection for the Library The libraries of the Metropolitan Museum of Art are home to over 900,000 books and periodicals… Angela Washington

Joan Jocson-Singh

The Metropolitan Museum of Art Paper
Poodle with a mohawk: Collecting cat and dog comics in an academic rare books department In New Orleans, with its wealth of distinctive popular culture associations, it may not surprise… Joshua Lupkin Tulane University, Howard-Tilton Memorial Library Paper
NSFW: Sexually Explicit Comics in Academic Libraries Sexually explicit topics have been safely explored in the academic bubble for decades. However,… Anna Culbertson San Diego State University Paper
Doujinshi and Libraries Doujinshi are Japanese publications, usually created by amateurs and fans, though occasionally… George Pearson Florida International University Paper

Of course, I was most excited to attend the Music (metal) panel because of the papers presented (see below). A highlight for me was hearing Victoria Willis’s presentation on The Dialetic of T(werk): Hegel, Marx, and Womanist Agency in Mastodon’s “The Motherload” Video, because of her theoretical framework and it’s relation to feminism.

Title Body Presenter Affiliation Presentation type
Sunn O))) – A Camp Dimension? In a video posted to YouTube, the drone metal band Sunn O))) can be seen performing an… Albert Diaz UCLA Paper
“Rime of a Metal Mariner” “Rime of a Metal Mariner” looks at Iron Maiden’s “Rime of the Ancient Mariner” as an adaptation… Justin J. Roberts University of Kentucky Paper
The Dialetic of T(werk): Hegel, Marx, and Womanist Agency in Mastodon’s “The Motherload” Video In this paper, I examine the role of twerking in Mastodon’s recent video for “The Motherload.”… Victoria Willis Georgia State University Paper
Hype, Visual Personae, and “Real” Music: The Example of Lana del Rey Before Lana del Rey’s first album, ‘Born to Die,’ hit the stores, she was an internet sensation… Mark Allister St. Olaf College Paper

And the panel on Music (Gender) was too great to pass up:

Title Body Presenter Affiliation Presentation type
Bring It On Home: Gender and Sexuality in Led Zeppelin Sasha T. Strelitz: “Bring It On Home: Gender and Sexuality in Led Zeppelin”

Many…

Sasha Strelitz University of Central Florida Paper
“Bootylicious” with “Love on Top”: Female Empowerment and Performing Sexual Agency at the 2013 Super Bowl Halftime Show In the middle of an exclusively masculine contest of muscle and strategy between the Baltimore… Claire Anderson University of Washington Paper
“Papa, you ain’t got no mama now”: Analyzing Female Agency in Race Record Ads When it comes to analyzing and understanding blues music, many researchers have turned to the… Catherine Gooch University of Kentucky Paper
“What a Great Song…Except for the Lyrics!: Examining Rape Culture in Popular Music”

In this paper, I explore the cultural and social landscape that popularizes music that…

Melinda Mills Castleton State College Paper

I’ve been telling folks for years that the Popular Culture Association is the most interesting academic conferences I’ve been to. Because it deals with popular culture, it really spans disciplines and is one of the more affordable conferences to attend if you’re not a member. You can present as an independent scholar which is also nice. I had a great time meeting other academics and really enjoyed learning about the varied research that’s going on all of the states.

Next year’s conference will be in Seattle – so I’m really looking forward to that.

Album Review: King Woman’s – Doubt (2015)

KingWoman1There’s something in the air… an enticing, atmospheric, world building that draws me like a moth to a flame. I’m listening to King Woman’s EP titled, Doubt. Led by vocalist Kristina Esfandiari, formerly of Whir, this drone-inspired album is the birth of a new project for her. Together with bandmates, Colin Gallagher on guitar, Joey Raygoza on drums (Skin Like Iron), and Sky Madden on bass (Chasms), they conjure a doomy and melancholy reverie that seduces the senses.

Having been described elsewhere as sounding like a combination of Black Sabbath meets Mazzy Star, I can’t help but agree and add my own two cents. Each song flows into the next smoothly, exuding a dark and introspective air. Ethereal feelings permeate throughout with Esfandiari’s voice conveying poignant lyrics of gloom and heartache. In an interview over at Rolling Stone, Esfandiari cites her use of psychedelics as a major factor towards bringing about her awareness of what was wrong with her religious upbringings. Doubt is essentially an album questioning her faith, yet it speaks to a deeper level of internal dissonance.

KingWoman3Musically, the leading bass-lines and guitar work offer a descent into a dark, bluesy, maelstrom. Although, I wouldn’t categorize it as metal, it does have the heavy elements that harken to early Sabbath. Fans of post-metal, shoegaze and doom will enjoy the pacing of this album.

EP Track Listing:

1. Wrong
2. King Of Swords
3. Burn
4. Candescent Soul

Here’s a Youtube clip of my favorite song from the Doubt album called King of Swords:

To buy the Album

King Woman on Facebook

Welcome to Metal Kingdom Documentary

With all the ongoing research I’ve been doing for my thesis, I came upon this gem. It’s a documentary produced back in 2006-2009 by Denise Gaberman called Welcome to Metal Kingdom (see video below). Gaberman chronicled the lifespan of a small metal venue that opened in Queens, NY, back in 2006 called Metal Kingdom. The film is about 35 minutes long and offers a nice snippet of what the metal community, especially the Pan-Latino metal community looked like in the early 2000’s. It documents the year-long journey of the owner, Salvador Gil, and his partner Edwin Mazariegas, towards maintaining the venue’s life amid financial, political, and renovation complications.

Having seen Sam Dunn’s series, Metal Evolution, I found this documentary, in contrast, even more fascinating and quite different due to its exploration of the ethnic groups participating in NY’s local metal scene. Metal has so often been stereotyped as “white male adolescent” music and this documentary contradicts this notion and in fact shows the director’s perceptiveness to include interviews with women and people of color within the scene. Of particular interest to me were the interviews with two sisters (Denise and Wanda Ramirez) who were in two different extreme metal bands in which they employed male vocal stylings-something that is still rare in the more commercial extreme metal bands that are fronted by women. Add to this, that we still see very few extreme metal bands with women period.

Since my research is ongoing, I hope to reach out and get further insight on both the men and women from the Pan-Latino community as it definitely looks like a gap in local NY Metal scholarship.

Musical Assault!!!

As part of my Anthropology of Music and Art Class, I had to write a final paper for the semester on a topic related to what we’ve been studying. It’s made up of my review from the Afrobeat book as mentioned earlier on this blog.  Inclusion of paper one (the book review) was required as part of our assignment. I also wrote up an annotated bibliography (a very librarian thing to do) but didn’t attach it. If you’re interested in reading it, contact me via comment/email and I’ll let you know.

I thank my husband in offering sage editing advice and critique! Thanks!

Continue reading