Popular Culture Conference, April 1-4 2015

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My colleague Angela Washington and I presented at this year’s Popular Culture Association (PCA) Conference in New Orleans. This presentation was more aligned to my first love– art librarianship and not to metal music, though I did attend a metal panel at this conference.

Sailor Moon manga - MMA Dark Kingdom-2We presented our paper entitled, “The Metropolitan Museum of Art Gets Graphic: Building a Collection for the Library” under the Libraries, Archives, Museums, and Popular Research panel. We decided to present on how we started the graphic novel collection at the Met’s Nolan Library when I was working there back in 2010. It was right before we hired the current Public Services Librarian who is now conducting the teen and children’s programming. We were first up on our panel and got to meet and see wonderful presentations from the head bibliographer at Tulane and librarians from  both San Diego State University and Florida International University. Overall, our presentation went very well and Angela did a great job at explaining the Watson and Nolan’s collection policy and its unique nuances involved with selecting, purchasing, processing and programming at the libraries.

Below was our panel line-up:

The Metropolitan Museum of Art Gets Graphic: Building a Collection for the Library The libraries of the Metropolitan Museum of Art are home to over 900,000 books and periodicals… Angela Washington

Joan Jocson-Singh

The Metropolitan Museum of Art Paper
Poodle with a mohawk: Collecting cat and dog comics in an academic rare books department In New Orleans, with its wealth of distinctive popular culture associations, it may not surprise… Joshua Lupkin Tulane University, Howard-Tilton Memorial Library Paper
NSFW: Sexually Explicit Comics in Academic Libraries Sexually explicit topics have been safely explored in the academic bubble for decades. However,… Anna Culbertson San Diego State University Paper
Doujinshi and Libraries Doujinshi are Japanese publications, usually created by amateurs and fans, though occasionally… George Pearson Florida International University Paper

Of course, I was most excited to attend the Music (metal) panel because of the papers presented (see below). A highlight for me was hearing Victoria Willis’s presentation on The Dialetic of T(werk): Hegel, Marx, and Womanist Agency in Mastodon’s “The Motherload” Video, because of her theoretical framework and it’s relation to feminism.

Title Body Presenter Affiliation Presentation type
Sunn O))) – A Camp Dimension? In a video posted to YouTube, the drone metal band Sunn O))) can be seen performing an… Albert Diaz UCLA Paper
“Rime of a Metal Mariner” “Rime of a Metal Mariner” looks at Iron Maiden’s “Rime of the Ancient Mariner” as an adaptation… Justin J. Roberts University of Kentucky Paper
The Dialetic of T(werk): Hegel, Marx, and Womanist Agency in Mastodon’s “The Motherload” Video In this paper, I examine the role of twerking in Mastodon’s recent video for “The Motherload.”… Victoria Willis Georgia State University Paper
Hype, Visual Personae, and “Real” Music: The Example of Lana del Rey Before Lana del Rey’s first album, ‘Born to Die,’ hit the stores, she was an internet sensation… Mark Allister St. Olaf College Paper

And the panel on Music (Gender) was too great to pass up:

Title Body Presenter Affiliation Presentation type
Bring It On Home: Gender and Sexuality in Led Zeppelin Sasha T. Strelitz: “Bring It On Home: Gender and Sexuality in Led Zeppelin”

Many…

Sasha Strelitz University of Central Florida Paper
“Bootylicious” with “Love on Top”: Female Empowerment and Performing Sexual Agency at the 2013 Super Bowl Halftime Show In the middle of an exclusively masculine contest of muscle and strategy between the Baltimore… Claire Anderson University of Washington Paper
“Papa, you ain’t got no mama now”: Analyzing Female Agency in Race Record Ads When it comes to analyzing and understanding blues music, many researchers have turned to the… Catherine Gooch University of Kentucky Paper
“What a Great Song…Except for the Lyrics!: Examining Rape Culture in Popular Music”

In this paper, I explore the cultural and social landscape that popularizes music that…

Melinda Mills Castleton State College Paper

I’ve been telling folks for years that the Popular Culture Association is the most interesting academic conferences I’ve been to. Because it deals with popular culture, it really spans disciplines and is one of the more affordable conferences to attend if you’re not a member. You can present as an independent scholar which is also nice. I had a great time meeting other academics and really enjoyed learning about the varied research that’s going on all of the states.

Next year’s conference will be in Seattle – so I’m really looking forward to that.

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Conferencing the Extreme Metal Way…

Just a quick update on my recent academic excursions. My thesis was accepted for presentation at two conferences and I presented on them in the last two weeks. I talked about my on-going research on Women in NY’s Extreme Metal Music Scene.

*Banner from MACI website

*Banner from MACI website

The first presentation was at the North East Popular Culture Association conference (NEPCA) in Providence where I was happy to sit on the panel titled “Music and Dance in Popular Culture”, with Professor Jeff Cain from Sacred Heart University as the moderator. I was joined by students Bethany Fagan-Good from SUNY Brockport who presented her paper on “Erick Hawkins Aesthetic: Finding the Dancer” and Matthew Scully from Tufts who presented on “Chester Himes and Frantz Fanon on Blues: Toward a New Humanism”. Each paper was interesting and I was glad to get my feet wet, so to speak, with conference presenting. As an aside, if you’ve read my blog before, I’m pretty enchanted by Fanon’s work, so much so, that I wrote a paper about his inspiration on Fela Kuti and Afrobeat and the correlation with how both Afrobeat and Norwegian Black Metal arose out of the same political and religious oppression. Just sayin’.

In any case, it’s been sometime since I’ve presented or talked in front of an audience. My tenure at Columbia University began in 2012 and because of my new role in Acquisitions, I’ve haven’t had the luxury of teaching classes like I did when I worked at the Met. There’s actually a lot of cross departmental work I miss from my old days there, including providing reference, teaching classes, and cataloging (believe or not!). My current position is more about management, finance, and making sure items are getting ordered and received in a timely matter!

Me at MACI conference

Me at MACI conference

The second conference I presented at was the Metal and Cultural Impact conference (MACI) which took place at the University of Dayton in Ohio. This by far, was one of my most enlightening and engaging conference experiences. I met so many metal music scholars whose work was not only inspiring but fascinating, not to mention I was getting to meet scholars whose work I reference in my own thesis. The topics presented were captivating.

Some highlights included the presentations from the scholars below:

Kevin Ebert – “But that doest help me on Guitar!–Unraveling the Myth of the Self-taught Metal Guitarist
Dr. Imke von Heldon – “The Pagan Reunion Awaits: The Construction of Cultural Identity in Norwegian Metal Music
Dr. Ross Hagen – “Pay no Attention to the Man Behind the … Ritualism and Depersonalization in Underground Extreme Metal Music”
Dr. Carl Sederholm – “Answering Cthulhu’s Call: Exploring Lovercraftian Cosmicism in Extreme Metal
Dr. Jasmine H. Shadrack – “Femme-Liminale: Corporeal Performativity in Death Metal
Megan McCarty – “Aesthetics of the Brutal: The Voice, Listening Practices and Affect in Extreme
Alex Skolnick – “Louder Education with Alex Skolnick

The conference started on Thursday (11/6) and unfortunately I was unable to see the presentations on Thursday as my flight was rescheduled. This was upsetting because with my new obsession with all things gender-related, I missed out on keynote speaker Amber Clifford-Napoleone’s presentation on “Queer Metal Matters: Metal, Sexuality, and the Future“. Fortunately, I did get to speak with her the next day, which helped to alleviate my guilt of missing her keynote address as well as school me on some interesting aspects of queer theory.

Also of great note was getting to see the provocatively creative exhibition by librarian and metal scholar, Brian Hickam. I was happy to meet both Brian and his colleague Elizabeth as they’re both Librarians! Really..I’m sure you can feel my excitement. Brian curated the exhibition titled, “Masked Performance: Facepaint, Head Coverings, and Masks in 21st Century Popular Culture”. He spoke about his experience with metal as both an avid fan and scholar and how he inevitably drew parallels with the use of masks in culture and in heavy metal music.

I also made some new friends, especially Laina Dawes, who also presented on the Women and Metal panel. I’ve mentioned her before on this blog when I brought up reading her book, “What are you Doing Here?: A Black Woman’s Life and Liberation in Heavy Metal“.  She discussed the rampant violence towards women and women of color in the extreme metal scene through her presentation entitled, “The Music or the Message? How to Love Music that Doesn’t Love You Back“.

All in all, we even got some help from two metal scholars when our rental car wouldn’t start! Thanks Jamie and Kevin!

Hopefully, the future of metal music studies will see an increase of scholars bringing relevant issues to light within both the metal community and mainstream society. Attending this conference helped to validate my ever evolving interest with metal music, gender, and anthropology. So to my fellow metal colleagues–Keep up the great work!

Finally–A video taping of me presenting at MACI. My husband taped it with his cell phone and we uploaded it to Youtube with hopes of disseminating my research. It’s not the best sound recording quality but it helped me reflect on honing my presenting skills.
Thanks & Enjoy!

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